Orange Beach Condo, December 2019

February 8, 2020 at 6:06 pm

Very expired col­or neg­a­tive film, Leica M3. Decem­ber 2019.

Self Portrait, December 2019

December 31, 2019 at 11:45 pm

Leica M3. Ilford Delta 3200. Home devel­oped with D‑76.

Austin in Black and White, April 2016

July 25, 2016 at 11:23 pm

A mix of Fuji Acros 100 (in the Leica M3) and Ilford Delta 3200 (in the Mamiya Pro TL). Walk­ing around Zilk­er Park, Rainey St, and 6th from BookPeo­ple to downtown.

Battle of Nashville Park, January 2016

February 12, 2016 at 10:53 am

There is a strik­ing stat­ue in Nashville, real­ly one of the most incred­i­ble I’ve seen in the entire area. It’s in a small park — bare­ly an acre if that — set up as a memo­r­i­al for the Bat­tle of Nashville.

Supe­ria X‑Tra 400, Leica M3.

Lizard Walker, November 2015

November 4, 2015 at 4:56 pm

Lizard Walk­er and I are col­lab­o­rat­ing on a long term project, and part of the process is spend­ing time sim­ply talk­ing. No agen­das or plan­ning, just time to refill the well that col­lab­o­ra­tion draws from.

That said, I will still have my cam­era in those qui­et ses­sions and thank you to Lizard for these candids.

Lizard Walker, November 2015

Lizard Walk­er, Novem­ber 2015

Fuji Neopan Acros 100 in the Leica M3, 50mm f/2 and devel­oped in microphen.

Photo Exploration — FALL Rehearsals, July 2015

July 29, 2015 at 4:34 pm

I was for­tu­nate to be the Sideshow Fringe Fes­ti­val 2015 pho­tog­ra­ph­er, and as always there were many incred­i­ble ses­sions of the­ater, aeri­al­ists, pup­pets, and music. There are many, many, many tac­tics one can uti­lize when pho­tograph­ing per­for­mances. Long expo­sures, high-ISO cap­tures, processed images to high­light the per­former — all are good options. Anoth­er option on engag­ing the sub­ject: shoot once, process none. Shoot film, process, and take what develops.

In addi­tion to the actu­al live per­for­mances, I was also invit­ed to check out some rehearsals, includ­ing the work of the FALL com­pa­ny. It was pret­ty incred­i­ble to lis­ten in and hear some of their process as they rehearsed through the work, and to try and unob­tru­sive­ly cap­ture some of the dis­cus­sions in pho­tos. Below are three of those images next to one of the per­form­ers dur­ing the rehearsal set.

FALL Rehearsing, Side Show Fringe Festival 2015

FALL Rehears­ing, Side Show Fringe Fes­ti­val 2015

Giv­ing up some con­trol with the medi­um lets me work in the avail­able light­ing and motion with­out stress­ing over the upcom­ing post-pro­cess­ing. A chance to pho­to­graph the mood and ambi­ence in the unpol­ished envi­ron­ment. A bit of a loos­er, yet more focused, feel­ing from the per­form­ers seems to come out in rehearsals. When the dancers are con­tin­u­ing the com­mit­ment of their work to mus­cle mem­o­ry it’s almost like a pho­to cri­tique. Peo­ple are look­ing for input, look­ing for encour­age­ment, but also any­thing that helps rise the lev­el of the work is welcome. 

Many thanks to FALL for allow­ing me to shoot the rehearsals!

Photo Exploration — Kiddie Ride, Hendersonville North Carolina

July 20, 2015 at 1:32 pm

Down­towns cen­tered on Main Streets are still around, and they often pro­vide a view into the past. And some­times there is a per­spec­tive into tran­si­tion between the past and present as well. In Hen­der­son­ville, North Car­oli­na, there is a vibrant down­town with music instru­ment stores, bars, knick-knacks shops, ice cream coun­ters and delis. Includ­ing this old phar­ma­cy with the dog treats, cig­a­rette recep­ta­cle, and kid­die horse lined up out­side the front door.

I see this pho­to­graph as a doc­u­ment of ten­sion. I tried to lim­it the sur­round­ing con­text to a min­i­mum, although I did sneak in the his­tor­i­cal plaque on the left wall. Between that dec­o­ra­tion and the tiled entry­way, what is orig­i­nal? We see a procla­ma­tion of this “new” own­er­ship, man­age­ment, whathavey­ou — “The old ‘Jus­tus Phar­ma­cy’ ” — so some­things have changed. Maybe the Coke bar­rel by the door, prob­a­bly the dog bis­cuit offer­ing — those are cer­tain­ly new. The neon sign could go both ways — maybe orig­i­nal? Our reflect­ed awning is like­ly orig­i­nal, if not restored. But the horse — what of the horse? Def­i­nite­ly weath­er-worn, and from an ear­li­er day when the motor cas­ings were still met­al instead of shock-proof plas­tic. I’ve no idea if it works or not — unfor­tu­nate­ly I’m always bereft of loose change.

Is the restau­rant mere­ly trad­ing on nos­tal­gia and rep­u­ta­tion? Do they have gen­uine respect for the his­to­ry of such a space, or are they lever­ag­ing the horse to hook tourists into spend­ing some quick cash? I should say that I don’t know at all — but I would imag­ine that the new own­ers are prob­a­bly on the “respect and restore” side of the coin than the “appro­pri­ate and abuse” the past viewpoint.

Kiddie Ride

This pho­to­graph was made on a rainy after­noon in June 2015, with 35mm Supe­ria X‑TRA 400 in my Leica M3.

Photo Exploration: Nurse Log in Percy Warner Park, May 2015

May 31, 2015 at 7:40 pm

It had been a long time since I’d clam­bered into the woods, dirt under hands and scrap­ing knees, to make that metic­u­lous­ly framed pho­to. The more found-and-street pho­tog­ra­phy I do, the less of the com­pose-recom­pose-recom­pose-again process I had done. Last week­end was just such an oppor­tu­ni­ty. Walk­ing in Per­cy Warn­er Park there was up on a hill a large tree that had fall­en across anoth­er tree and, over time, twist­ed away and set­tled on the ground. In the future it will prob­a­bly be a nurse log for oth­er growth. Unfor­tu­nate­ly it was a good was up that hill and too far for any lens to get it from the road. It was a very cloudy day mak­ing hand­held shots tricky at best, and this being under cov­er of trees I had no choice except to scram­ble up car­ry­ing my tri­pod to set­up for the shot.

Nurse Log, Percy Warner Park. May 2015

Shoot­ing with the Leica M3 at 35mm can be tricky. On the tech­ni­cal detail side, this was made with the Leica M3 with a 35mm f/2.8 lens. Expired T‑Max 400 shot at 200, f/11 at 1/2 sec­ond. With that 35mm lens there is an attach­ment to the viewfind­er to ensure prop­er fram­ing, but when the cam­era is low to the ground in an already uncom­fort­able sit­u­a­tion, it’s tough to ensure that the set­up is just the way you want it. With a lit­tle time and patience, that part came together.

Next was meter­ing and set­ting the shut­ter. Get­ting the expo­sure down is thank­ful­ly a breeze with my hand­held meter. Since it was a long expo­sure, a self-timer was going to be used. With the Leica there is a strange lit­tle half-winder on the front that you set, trip to start, and then when the winder fin­ish­es it fires the shut­ter. It takes a few tries to trust it — espe­cial­ly as the winder can run whether or not the expo­sure has already been tripped by the shut­ter button.

But when all was done, the pho­to was made and can now be shared.