Did you know that when you are tak­ing a pho­to up close with a c300 (or any oth­er TLR I would imag­ine) you have to cor­rect for par­al­lax? Oh? You did? Well, yeah, yeah, yeah. You’re all so smart. So now I know. But when I shot this roll of film from the oth­er day I did­n’t have this knowl­edge. I thought I was mak­ing the appro­pri­ate com­pen­sa­tions (and I was, only it was just for expo­sure not for fram­ing) — and I shot a few frames with­out correcting.

But some­times that’s OK. And they did­n’t turn out all that bad — just kin­da, I dun­no, sur­re­al? Like dreams that we half remem­ber. Yeah, we’ll go with that. In fact, here is how I will present this pho­to in the future:

“An explo­ration of mem­o­ry, per­tain­ing to an adult’s sub­con­scious ren­der­ings
of the van­tage points inher­ent in the vision of a child”

Behold, your week­ly wall­pa­per offer­ing! Click to down­load the set of files.